{"title":"Anthology","description":"","products":[{"product_id":"anthology-sad-about-the-times-short-sleeve-tshirt-184923608519","title":"Anthology - ...Still Sad - Seafoarm Swirl Limited Edition 2xLP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003carticle class=\"article-decorated\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e…Still Sad DBL LP: Provided a proper vinyl treatment by popular demand, this seafoam swirl color vinyl edition is limited to 1000 copies.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eKeep that frown upside down. Following Sad About the Times, Anthology Recordings’ 2019 collection of melancholic music made by maudlin marauders who aspired for 70s AOR radio success but never quite achieved it, arrives …Still Sad. A companion to its predecessor, …Still Sad adds to a general malaise that genuinely feels terribly right.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCompiled again by Mikey Young (Total Control \/ Eddy Suppression Ring) and Keith Abrahamsson (Founder \/ Head of A\u0026amp;R at Anthology Recordings), …Still Sad scours the corners of cracked vanity presses and the fault lines of forgotten 45s to assemble another sixteen songs that cut to the heart faster than a maxed out credit card to a feeble pile of Florida Snow.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e…Still Sad features music made in North America, mostly in the ‘70s, mostly by a bunch of bearded, good natured men. Scan the track list and you can almost hear the earth tones, and see the studio scene where these artists with nothing else to lose gathered to give everything they had in hope that these songs would be heard. Even if most of these songs are just now being heard, each one schleps the emotional baggage of four decades past to the present.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough some songs on …Still Sad veer from themes of loss or lament, there is still enough nostalgia to take any fool who falls for it on a roller coaster ride of regret and remorse. But don’t mistake …Still Sad as a torture device for the unsuspecting listener, rather a front row view of the tortured heart. \u003c\/p\u003e\n\u003c\/article\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589444649261,"sku":"184923608519","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/1254301.jpg?v=1700156915"},{"product_id":"norma-tanega-i-m-the-sky-studio-and-demo-recordings-1964-1971-184923608427","title":"Norma Tanega -  I’m the Sky: Studio and Demo Recordings, 1964–1971 CD","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorma Tanega’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky: Studio and Demo Recordings, 1964–1971\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a comprehensive survey of the pioneering folk artist’s two commercially released studio albums, an unreleased album, and a trove of unheard demos.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBefore playing a pivotal part in folk music’s cultural crossover in the ‘60s, Tanega was a curious little girl born at the very end of the ‘30s to a multicultural Navy family in Long Beach, California. Her parents often brought her to Los Angeles for piano lessons, and eventually Tanega earned an MFA at Claremont College, where she studied classical composers like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAaron Copeland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge Gershwin\u003c\/strong\u003e. Amidst her academic pursuits, Tanega learned to play acoustic guitar and autoharp by following\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Baez\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecords and hanging out at the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFolk Music Center\u003c\/strong\u003e, a music store and performance space in Claremont that exists to this day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter college, Tanega landed in Greenwich Village in 1963, and became active in the coffee house scene and early protests against the Vietnam War. Working summers as a camp counselor in the Catskill Mountains, the up-and-coming producer and arranger\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHerb Bernstein\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecaught Tanega perform at the camp, and introduced her to songwriter\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBob Crewe\u003c\/strong\u003e. The trio found their first collaborative success in 1966 when Tanega’s “Walkin’ My Cat Named Dog” rocketed to #22 on the American and British charts (#3 in Canada). Her debut full-length of the same name followed that year, which saw her perform on Dick Clark’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAmerican Bandstand\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhere The Action Is\u003c\/em\u003e, and tour North America with artists including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGene Pitney\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBobby Goldsboro\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat same year, Tanega traveled to England to tour in support of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWalkin’ My Cat Named Dog\u003c\/em\u003e. During rehearsals for the British music television show\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eReady Steady Go!\u003c\/em\u003e, Tanega met\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDusty Springfield\u003c\/strong\u003e. The pair became fast friends, then partners in a committed long-distance relationship. Tanega moved to London to be with Springfield, for whom she also went on to write and co-write a number of songs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile in London, in 1969 Tanega recorded\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSnow Cycles\u003c\/em\u003e, a second album that would never see the light of day, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI Don’t Think it Will Hurt if You Smile\u003c\/em\u003e, eventually released with little fanfare in 1971. As heard on the first half of I’m the Sky, the same whimsical and joy-filled spirit guides all three of Tanega’s studio albums, and provides a colorful stage for her idiosyncratic meter and songwriting. Tanega’s lyrics touch on love and adoration to introspection and melancholy, while her music offers an eclectic take on popular folk-rock and psychedelic sound of the late ‘60s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second half of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eopens a rare and intimate window into Tanega’s songwriting process with a collection of demos discovered in Tanega’s Claremont home. Unfettered by instrumentation save for a single guitar on most songs, Tanega’s voice soars across the mid-range and above the six string reverberations, openly musing on life and love. More than merely sketches, the demos capture an essence of Tanega’s songcraft, and a tangible translation of the emotional range which sets her work apart from the banality in certain folk music of the era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1972, Tanega returned to Claremont and shifted focus to her visual arts, teaching ESL, and participating in her surrounding community of LGBTQ experimental artists. She kept recording and performing music with a number of local groups as well. While Tanega, who passed away in 2019 at the age of 80, is essential to California’s legacy of folk and experimental music, she’s also essential to the canon of folk-rock writ large. Tanega left behind an exceptional catalog of music encapsulated in part on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e, but, more than anything, she left an enduring expression of what it means to be free.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589450547501,"sku":"184923608427","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC084_NormaTanega-ImTheSky_ProductShots_White_02.jpg?v=1700509870"},{"product_id":"norma-tanega-i-m-the-sky-studio-and-demo-recordings-1964-1971-184923608403","title":"Norma Tanega -  I’m the Sky: Studio and Demo Recordings, 1964–1971 Baby Pink Splatter Vinyl 2xLP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorma Tanega’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky: Studio and Demo Recordings, 1964–1971\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a comprehensive survey of the pioneering folk artist’s two commercially released studio albums, an unreleased album, and a trove of unheard demos.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBefore playing a pivotal part in folk music’s cultural crossover in the ‘60s, Tanega was a curious little girl born at the very end of the ‘30s to a multicultural Navy family in Long Beach, California. Her parents often brought her to Los Angeles for piano lessons, and eventually Tanega earned an MFA at Claremont College, where she studied classical composers like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAaron Copeland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge Gershwin\u003c\/strong\u003e. Amidst her academic pursuits, Tanega learned to play acoustic guitar and autoharp by following\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Baez\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecords and hanging out at the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFolk Music Center\u003c\/strong\u003e, a music store and performance space in Claremont that exists to this day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter college, Tanega landed in Greenwich Village in 1963, and became active in the coffee house scene and early protests against the Vietnam War. Working summers as a camp counselor in the Catskill Mountains, the up-and-coming producer and arranger\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHerb Bernstein\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecaught Tanega perform at the camp, and introduced her to songwriter\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBob Crewe\u003c\/strong\u003e. The trio found their first collaborative success in 1966 when Tanega’s “Walkin’ My Cat Named Dog” rocketed to #22 on the American and British charts (#3 in Canada). Her debut full-length of the same name followed that year, which saw her perform on Dick Clark’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAmerican Bandstand\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhere The Action Is\u003c\/em\u003e, and tour North America with artists including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGene Pitney\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBobby Goldsboro\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat same year, Tanega traveled to England to tour in support of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWalkin’ My Cat Named Dog\u003c\/em\u003e. During rehearsals for the British music television show\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eReady Steady Go!\u003c\/em\u003e, Tanega met\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDusty Springfield\u003c\/strong\u003e. The pair became fast friends, then partners in a committed long-distance relationship. Tanega moved to London to be with Springfield, for whom she also went on to write and co-write a number of songs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile in London, in 1969 Tanega recorded\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSnow Cycles\u003c\/em\u003e, a second album that would never see the light of day, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI Don’t Think it Will Hurt if You Smile\u003c\/em\u003e, eventually released with little fanfare in 1971. As heard on the first half of I’m the Sky, the same whimsical and joy-filled spirit guides all three of Tanega’s studio albums, and provides a colorful stage for her idiosyncratic meter and songwriting. Tanega’s lyrics touch on love and adoration to introspection and melancholy, while her music offers an eclectic take on popular folk-rock and psychedelic sound of the late ‘60s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second half of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eopens a rare and intimate window into Tanega’s songwriting process with a collection of demos discovered in Tanega’s Claremont home. Unfettered by instrumentation save for a single guitar on most songs, Tanega’s voice soars across the mid-range and above the six string reverberations, openly musing on life and love. More than merely sketches, the demos capture an essence of Tanega’s songcraft, and a tangible translation of the emotional range which sets her work apart from the banality in certain folk music of the era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1972, Tanega returned to Claremont and shifted focus to her visual arts, teaching ESL, and participating in her surrounding community of LGBTQ experimental artists. She kept recording and performing music with a number of local groups as well. While Tanega, who passed away in 2019 at the age of 80, is essential to California’s legacy of folk and experimental music, she’s also essential to the canon of folk-rock writ large. Tanega left behind an exceptional catalog of music encapsulated in part on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e, but, more than anything, she left an enduring expression of what it means to be free.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589450940717,"sku":"184923608403","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC084_NormaTanega-ImTheSky_ProductShots_White_04.jpg?v=1700509846"},{"product_id":"norma-tanega-i-m-the-sky-studio-and-demo-recordings-1964-1971-184923608410","title":"Norma Tanega -  I’m the Sky: Studio and Demo Recordings, 1964–1971 Standard Black Vinyl 2xLP","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorma Tanega’s\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky: Studio and Demo Recordings, 1964–1971\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a comprehensive survey of the pioneering folk artist’s two commercially released studio albums, an unreleased album, and a trove of unheard demos.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBefore playing a pivotal part in folk music’s cultural crossover in the ‘60s, Tanega was a curious little girl born at the very end of the ‘30s to a multicultural Navy family in Long Beach, California. Her parents often brought her to Los Angeles for piano lessons, and eventually Tanega earned an MFA at Claremont College, where she studied classical composers like\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eAaron Copeland\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGeorge Gershwin\u003c\/strong\u003e. Amidst her academic pursuits, Tanega learned to play acoustic guitar and autoharp by following\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJoan Baez\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003erecords and hanging out at the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFolk Music Center\u003c\/strong\u003e, a music store and performance space in Claremont that exists to this day.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter college, Tanega landed in Greenwich Village in 1963, and became active in the coffee house scene and early protests against the Vietnam War. Working summers as a camp counselor in the Catskill Mountains, the up-and-coming producer and arranger\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eHerb Bernstein\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecaught Tanega perform at the camp, and introduced her to songwriter\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBob Crewe\u003c\/strong\u003e. The trio found their first collaborative success in 1966 when Tanega’s “Walkin’ My Cat Named Dog” rocketed to #22 on the American and British charts (#3 in Canada). Her debut full-length of the same name followed that year, which saw her perform on Dick Clark’s\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAmerican Bandstand\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWhere The Action Is\u003c\/em\u003e, and tour North America with artists including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eGene Pitney\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBobby Goldsboro\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat same year, Tanega traveled to England to tour in support of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eWalkin’ My Cat Named Dog\u003c\/em\u003e. During rehearsals for the British music television show\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eReady Steady Go!\u003c\/em\u003e, Tanega met\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDusty Springfield\u003c\/strong\u003e. The pair became fast friends, then partners in a committed long-distance relationship. Tanega moved to London to be with Springfield, for whom she also went on to write and co-write a number of songs.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhile in London, in 1969 Tanega recorded\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSnow Cycles\u003c\/em\u003e, a second album that would never see the light of day, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI Don’t Think it Will Hurt if You Smile\u003c\/em\u003e, eventually released with little fanfare in 1971. As heard on the first half of I’m the Sky, the same whimsical and joy-filled spirit guides all three of Tanega’s studio albums, and provides a colorful stage for her idiosyncratic meter and songwriting. Tanega’s lyrics touch on love and adoration to introspection and melancholy, while her music offers an eclectic take on popular folk-rock and psychedelic sound of the late ‘60s.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe second half of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eopens a rare and intimate window into Tanega’s songwriting process with a collection of demos discovered in Tanega’s Claremont home. Unfettered by instrumentation save for a single guitar on most songs, Tanega’s voice soars across the mid-range and above the six string reverberations, openly musing on life and love. More than merely sketches, the demos capture an essence of Tanega’s songcraft, and a tangible translation of the emotional range which sets her work apart from the banality in certain folk music of the era.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1972, Tanega returned to Claremont and shifted focus to her visual arts, teaching ESL, and participating in her surrounding community of LGBTQ experimental artists. She kept recording and performing music with a number of local groups as well. While Tanega, who passed away in 2019 at the age of 80, is essential to California’s legacy of folk and experimental music, she’s also essential to the canon of folk-rock writ large. Tanega left behind an exceptional catalog of music encapsulated in part on\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eI’m the Sky\u003c\/em\u003e, but, more than anything, she left an enduring expression of what it means to be free.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589450973485,"sku":"184923608410","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC084_NormaTanega-ImTheSky_ProductShots_White_05.jpg?v=1700509886"},{"product_id":"robert-lester-folsom-sunshine-only-sometimes-archives-vol-2-19721975-184923610314","title":"Robert Lester Folsom - Sunshine Only Sometimes: Archives Vol. 2, 1972-1975 Standard Black Vinyl","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSunshine Only Sometimes: Archives Vol. 2, 1972–1975 continues Anthology Recordings’ excavation, and exploration, of southern singer, songwriter, and psychedelic serviceman Robert Lester Folsom’s bountiful archives. Recorded across Georgia in various bedrooms, a barn, and a motel room with a reel-to-reel and a revolving cast of whip smart studio musicians in the first half of a dazed and confused decade, Sunshine Only Sometimes furthers Folsom’s place in the canon of long lost but eventually found independently spirited, high-flying American folk rock.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen Anthology’s reissue of Music and Dreams, the sole contemporaneous album released in 1976 by Folsom, surfaced in 2010, little else was known of Folsom’s nearly five-decade deep archive of unreleased demos and fully formed studio recordings. Born and raised in Adel, Georgia—both then, and now, a sleepy hamlet with a population of less than 5,000—Folsom was fortunate to be minded after extremely supportive parents. Exhibiting a precocious affinity for music, things went widescreen when he observed the same ferry from ‘cross the Mersey as many others of his generation, carrying the four musical moptops to their paradigm shifting appearance on The Ed Sullivan Show.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoon thereafter, Folsom began religiously absorbing every morsel of musical output The Fab Four offered, as well as that of their contemporaries. Yet, it wasn’t long before observation transformed into a motivation to create. Even a children’s record player bought by his parents as a gift to him was traded off to a neighborhood friend for a stringless, disheveled guitar (which Folsom’s father shined to prime and function for him in short order). As time went on, Folsom’s innate drive and field of vision broadened; he began enlisting neighborhood friends, classmates, and family members to fulfill his small-scale musical dreams, which would increase in weight with the passage of days.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOver the next several years, while employing ingenious, home brewed over-dubbing techniques with his “love at first sight,” a Sears 3440 two-track reel-to-reel tape recorder, Folsom served as the de facto producer\/arranger for any and all scrappy garage band or aspiring singer songwriter in the radius of Adel. Abetted by his mobile recording unit, across a number of unusual locations, and assisted by guitarist and collaborator Hans VanBrackle, this period produced the bounty of Folsom’s self-penned compositions which make up Ode to a Rainy Day and Sunshine Only Sometimes. And eventually, this period of woodshedding led to the formation of his rural-tinged, progressive, southern rock outfit Abacus.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThough carrying Folsom’s own singular sound and vision, Music and Dreams, in equal measure, chartered the seas of smooth West Coast AOR before the yachts to come, while tracing the distinctly Californian sound of Laurel Canyon singer-songwriter soft rock Americana, which tussled on the waters before the large vessels overtook the big blue. Folsom’s earlier compositions found on Sunshine Only Sometimes reflect a darker-hued mixture of mellow folk, downer vibes, and rural tones, revealing his talent for melody and hook was intact far before Music and Dreams, with a keen sense of introspection making the dark and light equally resonant.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSunshine Only Sometimes offers up another sterling set of tonally-shifting, sub-underground, alternate timeline classic rock. The C\u0026amp;W-influenced, sprightly-pop of George Harrison—whose Dark Horse Records is one of a handful of record companies Folsom and VanBrackle submitted demos to—is invoked in the uber-melodic “Ease My Mind.” “Julie” brings to mind Nixon-era ragged ‘n’ ramshackled country-blues from the Glimmer Twins’ pen, and the semi-acoustic, heavily-flanged, out-of-time psych-pop of “Lonely Lovers” sits somewhere between a forward-looking glimpse at Music and Dreams and a demo from a would-be Cosmic American Music king.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUnlike similar iconoclasts with crystal vision who held forth with the oppressive thumb of a musical dictator, Folsom was ever in service of song, standing equally aside his collaborators, which uniformly engendered affinity and respect lasting to this day. While a tick higher than the second-tier, the mountaintop was always narrowly out his grasp. Though, with the right set of opportunities, bolstered by talent and drive, Folsom, if not as a stand-alone, star-quality artist, could have led the career of any number of songwriters behind the curtain who rode the magical musical continuum across the decades with faceless success.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePerhaps it was Robert and company’s playing “weird spacey stuff and ballads,” as guitarist VanBrackle describes, in small town Georgia skating rinks, bowling alleys, and school dances expecting Top 40 dance-ready hits which held them down. Perhaps it was simply location. Though, the music of Sunshine Only Sometimes is composed of an intrinsic ability to hear the music truly playing, as opposed to the space in air heard by the lay-ear, which places Folsom’s music in a timeless space primed for perennial (re)discovery.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589451694381,"sku":"184923610314","price":25.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC103_RLF-SunshineOnlySometimes_ProductShots_02.jpg?v=1700510135"},{"product_id":"robert-lester-folsom-music-and-dreams-184923600711","title":"Robert Lester Folsom - Music and Dreams Standard Black Vinyl","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eRobert Lester Folsom’s story isn’t all that uncommon in the parlance of his era. He spent the ‘60s growing up in Adel, Georgia, a small town nearer to Valdosta and Florida’s northern border than anything resembling rock \u0026amp; roll, obsessing over his guitar as his craft and skills grew. Folsom would write and record a wealth of material in the early ‘70s, which make up the backbone of \u003ci data-mce-fragment=\"1\"\u003eOde To A Rainy Day\u003c\/i\u003e – the first time these songs have been heard in decades. \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e showcases both impeccable songwriting across light folk, downer pop, front porch rock and woodshed country tropes, combined with ingenious arrangements and technical skills across primitive recording equipment. The beauty of \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e lies in its tracking of the seasons in its cycle, how each song feels like a different time of year.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFolsom’s legitimate debut would have to wait until 1976, when he self-released the album \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e, which brings the ideas presented on \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e into clear, polished relief, lushly appointed with synthesizers, clavinet, an army of percussion, and multiple tracks of orchestration and arrangements that’ll make you feel like you’ve heard any of these wonderful songs before. Folsom provides a homespun challenge to then-established artists as farflung as Todd Rundgren, Neil Young, and KC \u0026amp; The Sunshine Band, albeit with touches that credit his upbringing from the decade prior. Had the record any manner of major label backing, it could’ve been a hit; as it stands, \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e has quietly amassed a cult following, with original copies trading for handsome sums.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAnthology Recordings is proud to make \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e available once again, and beyond ecstatic to present the music that led up to it on \u003ci data-mce-fragment=\"1\"\u003eOde To A Rainy Day\u003c\/i\u003e.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589452054829,"sku":"184923600711","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC007_RLF_MusicAndDreams_front.jpg?v=1700510060"},{"product_id":"robert-lester-folsom-music-and-dreams-184923600728","title":"Robert Lester Folsom - Music and Dreams CD","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eRobert Lester Folsom’s story isn’t all that uncommon in the parlance of his era. He spent the ‘60s growing up in Adel, Georgia, a small town nearer to Valdosta and Florida’s northern border than anything resembling rock \u0026amp; roll, obsessing over his guitar as his craft and skills grew. Folsom would write and record a wealth of material in the early ‘70s, which make up the backbone of \u003ci data-mce-fragment=\"1\"\u003eOde To A Rainy Day\u003c\/i\u003e – the first time these songs have been heard in decades. \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e showcases both impeccable songwriting across light folk, downer pop, front porch rock and woodshed country tropes, combined with ingenious arrangements and technical skills across primitive recording equipment. The beauty of \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e lies in its tracking of the seasons in its cycle, how each song feels like a different time of year.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eFolsom’s legitimate debut would have to wait until 1976, when he self-released the album \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e, which brings the ideas presented on \u003ci data-mce-fragment=\"1\"\u003eOde\u003c\/i\u003e into clear, polished relief, lushly appointed with synthesizers, clavinet, an army of percussion, and multiple tracks of orchestration and arrangements that’ll make you feel like you’ve heard any of these wonderful songs before. Folsom provides a homespun challenge to then-established artists as farflung as Todd Rundgren, Neil Young, and KC \u0026amp; The Sunshine Band, albeit with touches that credit his upbringing from the decade prior. Had the record any manner of major label backing, it could’ve been a hit; as it stands, \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e has quietly amassed a cult following, with original copies trading for handsome sums.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eAnthology Recordings is proud to make \u003ci data-mce-fragment=\"1\"\u003eMusic And Dreams\u003c\/i\u003e available once again, and beyond ecstatic to present the music that led up to it on \u003ci data-mce-fragment=\"1\"\u003eOde To A Rainy Day\u003c\/i\u003e.\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":47589452775725,"sku":"184923600728","price":9.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC007-Cover_1400.jpg?v=1700510032"},{"product_id":"paul-major-feel-the-music184923603019","title":"Paul Major - Feel the Music","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaul Major has lived resolutely at the edge of outsider music culture for nearly a half-century. As an early private press and “real people” record collector turned eminent, underground rock ‘n’ roller, his influence is felt if not heard all around us—until now.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFeel the Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etraces Paul’s trajectory from his formative days in the Midwest, his years in the late ’70s New York punk scene, and into his curious career as a connoisseur and campaigner of the weirdest records of all time. Brought to life with unseen photographs, rare record covers, and cut n’ paste ephemera from Paul’s long running mail order catalog, while animated by Paul’s storytelling,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFeel the Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a fanatical mystery tour through the further, outer reaches of music history. Alongside Paul’s writing, Feel the Music features essays by Johan Kugelberg, Jack Streitman, Michael P. Daley, Rich Haupt, Stefan Kery, Patrick Lundborg, Geoffrey Weiss, Jesper Eklow, and Glenn Terry. Each book also comes with a special Sorcerers and Endless Boogie split 7″ vinyl record.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Major\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas born in Louisville, Kentucky in 1954, placing him squarely in the generational path of rock ‘n roll’s mighty wave: fuzz guitar first blew his mind at age 12, and he hasn’t looked back since. After stints playing in bands in St. Louis and Los Angeles, he moved to New York in 1978 and spent the next few years embroiled in the city’s explosive punk scene (most notably as part of the proto-speed metal band the Sorcerers). All the while, he found himself cultivating an extensive knowledge of rare and bizarre LPs. As his expertise in obscure collecting grew, Paul began a mail-order LP business, and his catalogs soon became must-reads for their mixture of hard-won crate-digging knowledge and witty, one-of-a-kind music writing—holy texts for psychedelic lifers the world over. Starting in 1997, Paul put his decades of experience to work as the singer and guitarist of the band Endless Boogie, whose skewed, no-frills take on rock has renewed his status as a preeminent voice on the farthest, weirdest margins of popular music.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e272 Pages\u003cbr data-mce-fragment=\"1\"\u003e8.125 inches x 10.75 Inches\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-1-944860-07-3\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617307869485,"sku":"184923603019","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197448.jpg?v=1700604004"},{"product_id":"paul-major-feel-the-music-deluxe-edition-184923603026","title":"Paul Major - Feel the Music (Deluxe Edition)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaul Major has lived resolutely at the edge of outsider music culture for nearly a half-century. As an early private press and “real people” record collector turned eminent, underground rock ‘n’ roller, his influence is felt if not heard all around us—until now.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFeel the Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etraces Paul’s trajectory from his formative days in the Midwest, his years in the late ’70s New York punk scene, and into his curious career as a connoisseur and campaigner of the weirdest records of all time. Brought to life with unseen photographs, rare record covers, and cut n’ paste ephemera from Paul’s long running mail order catalog, while animated by Paul’s storytelling,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eFeel the Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a fanatical mystery tour through the further, outer reaches of music history. Alongside Paul’s writing, Feel the Music features essays by Johan Kugelberg, Jack Streitman, Michael P. Daley, Rich Haupt, Stefan Kery, Patrick Lundborg, Geoffrey Weiss, Jesper Eklow, and Glenn Terry. Each book also comes with a special Sorcerers and Endless Boogie split 7″ vinyl record.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Major\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas born in Louisville, Kentucky in 1954, placing him squarely in the generational path of rock ‘n roll’s mighty wave: fuzz guitar first blew his mind at age 12, and he hasn’t looked back since. After stints playing in bands in St. Louis and Los Angeles, he moved to New York in 1978 and spent the next few years embroiled in the city’s explosive punk scene (most notably as part of the proto-speed metal band the Sorcerers). All the while, he found himself cultivating an extensive knowledge of rare and bizarre LPs. As his expertise in obscure collecting grew, Paul began a mail-order LP business, and his catalogs soon became must-reads for their mixture of hard-won crate-digging knowledge and witty, one-of-a-kind music writing—holy texts for psychedelic lifers the world over. Starting in 1997, Paul put his decades of experience to work as the singer and guitarist of the band Endless Boogie, whose skewed, no-frills take on rock has renewed his status as a preeminent voice on the farthest, weirdest margins of popular music.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDeluxe Edition includes:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFirst edition book, Signed by the Author\u003cbr data-mce-fragment=\"1\"\u003eLimited edition Silkscreened Slipcase\u003cbr data-mce-fragment=\"1\"\u003eCompanion Book featuring Selections from Paul’s scrapbook (112 pages)\u003cbr data-mce-fragment=\"1\"\u003e7.25 inches x 7.25 inches Letterpress Print Signed by Artist Lizzi Bougatsos\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617307902253,"sku":"184923603026","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197449.jpg?v=1700604099"},{"product_id":"matthew-craven-primer184923605815","title":"Matthew Craven - PRIMER","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eUtilizing found images from textbooks along with his own geometric patterns, Matthew Craven’s collages and illustrations seek to create a new handmade universe, juxtaposing imagery from different cultures and time periods to celebrate commonalities. Photographs of archaeological remains and the natural world are overlaid on colorful textiles drawn on the back of vintage movie posters, to create a hypnotic and mesmerizing vernacular of symbols and designs. Featuring an introduction by LACMA curator Leslie Jones,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePRIMER\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first publication of Craven’s art and a reconfiguration of traditional historical narratives inspired by obsessive formations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMatthew Craven\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a Los Angeles-based artist whose work centers around found imagery combined with hand-drawn geometric patterns. He has shown in galleries all over the world including, New York, Los Angeles, Amsterdam, and Switzerland. His work has been reviewed in notable outlets including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Huffington Post\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eArt Critical\u003c\/em\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Brooklyn Rail\u003c\/em\u003e. In 2017, he was the artist-in-residence for the Marfa Myths Festival.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePRIMER\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis the first monograph from Craven.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e228 pages, 221 images\u003cbr data-mce-fragment=\"1\"\u003e9.25 inches x 12.5 inches\u003cbr data-mce-fragment=\"1\"\u003eISBN 978-1-944860-18-9\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617308262701,"sku":"184923605815","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197498.jpg?v=1700603656"},{"product_id":"natalie-anne-howard-from-gardens-where-we-feel-secure184923606812","title":"Natalie Anne Howard - From Gardens Where We Feel Secure","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFrom\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eGardens Where We Feel Secure\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a full color zine created exclusively for the Marfa Myths 2019 festival by Visual Artist in Residence,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNatalie Anne Howard\u003c\/strong\u003e. Inspired by the blooms and critter movements of spring gardens, this zine features 28 original paintings and a poem by artist\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eSojourner Truth Parsons\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFull color zine\u003cbr data-mce-fragment=\"1\"\u003e28 sewn pages, Offset\u003cbr data-mce-fragment=\"1\"\u003e8.6 inches x 12 inches\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617308426541,"sku":"184923606812","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197529.jpg?v=1700603723"},{"product_id":"dennis-stock-california-trip184923607215","title":"Dennis Stock - California Trip","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn 1968, Magnum photographer\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDennis Stock\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003etook a five-week road trip along the California highways, documenting the height of the counterculture hippie scene. These black and white photos were compiled to create\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCalifornia Trip\u003c\/em\u003e, originally published in 1970, and became an emblem of the free love movement that continued to inspire throughout the decades. In print for the first time since its 1970 publication,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eCalifornia Trip\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a faithful reproduction of Stock’s timeless work.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eDennis Stock\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas a celebrated American photographer, noted for his photo essays. His portfolio had a massive range and included many timeless pieces of work such as the free love movement of California, jazz, nature, and portrait work of icons such as James Dean and Billie Holiday. His photography has been exhibited all over the world, and his photos are part of many major museum collections. He won first prize in both Life’s Young Photographers Contest in 1951 and the International Photo Competition in Poland in 1962. Stock passed away in 2010.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e110 pages, 100 images\u003cbr data-mce-fragment=\"1\"\u003e9 inches x 11 inches\u003cbr data-mce-fragment=\"1\"\u003eISBN 978-1-944860-26-4\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617308459309,"sku":"184923607215","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197531.jpg?v=1700600701"},{"product_id":"paul-drummond-13th-floor-elevators-a-visual-history184923603118","title":"Paul Drummond - 13th Floor Elevators: A Visual History","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"product-details\" data-mce-fragment=\"1\"\u003e\n\u003csection class=\"description product-description module\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"description-wrapper\" data-mce-fragment=\"1\"\u003e\n\u003carticle class=\"description-article article-blurb\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBorn out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e13th Floor Elevators\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/em\u003ewere formed in late 1965 when lyricist\u003cem data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eTommy Hall\u003c\/em\u003easked a local singer named\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eRoky Erickson\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eto join up with his new rock outfit. Four years, three official albums, and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts, and forced psychiatric imprisonments. In their short existence, however, the group succeeded in blowing the lid off the budding musical underground, logging early salvos in the countercultural struggle against state authorities, and turning their deeply hallucinatory take on jug-band garage rock into a new American institution called psychedelic music. Writer Paul Drummond has gathered an unprecedented catalog of primary materials—including scores of previously-unseen band photographs, rare and iconic artwork of the era, items from family scrapbooks and personal diaries, new and archival interviews, dozens of contemporaneous press accounts, and no shortage of Austin Police Department records—to tell the complete and unvarnished story of a band which, until now, has been tragically under-documented. Before the hippies, before the punks, there were the 13th Floor Elevators: an unlikely crew of outcast weirdo geniuses who changed culture.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePaul Drummond\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a renowned antiquarian bookseller based in London. He’s the author of\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eEye Mind\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(2007), the exhaustive and definitive biography of the 13th Floor Elevators. Drummond has spent years documenting every aspect of the history of this amazing band, resulting in this comprehensive work.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e13th Floor Elevators: A Visual History\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eplaces the band finally and undeniably in the pantheon of innovators of American rock music to which they have always belonged. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePaperback\u003cbr data-mce-fragment=\"1\"\u003e8.25 inches x 11 inches\u003cbr data-mce-fragment=\"1\"\u003e328 pages, 278 images\u003cbr data-mce-fragment=\"1\"\u003eSBN: 978-1-944860-11-0\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617308950829,"sku":"184923603118","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/197544.jpg?v=1700603918"},{"product_id":"norma-tanega-try-to-tell-a-fish-about-water184923608106","title":"Norma Tanega - Try to Tell a Fish About Water","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn addition to her accomplishments as a gifted musician and songwriter,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorma Tanega\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas a noted gallerist, teacher, and a central figure in the vibrant and homegrown creative scene of Claremont, California. She was also a visual artist of astonishing originality. In\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTry to Tell a Fish About Water\u003c\/em\u003e, the bold colors and gestural immediacy of Tanega’s paintings are presented for the first time alongside unseen photos, illustrations, journal entries, and other ephemera. Featuring reflections and remembrances from Norma’s friends and collaborators collaged alongside the visual roadmap,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eTry to Tell a Fish About Water\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a thoughtful exploration of Tanega’s art career and a testament to a life spent immersed in creativity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eNorma Tanega\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewas a musician, singer, songwriter, and painter who reached worldwide recognition after the release of her 1966 hit single,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003e“Walkin’ My Cat Named Dog.”\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eIn addition to her solo career, she was a songwriter for Dusty Springfield, and performed with a number of groups well into the 2000s. A painter throughout her life, Tanega first began exhibiting her work at the age of sixteen, and received her MFA from Claremont Graduate University in 1962, with her later work often supported by the Claremont Museum of Art. She passed away in December 2019 at the age of eighty.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSoftcover\u003cbr data-mce-fragment=\"1\"\u003e9 inches x 10 inches\u003cbr data-mce-fragment=\"1\"\u003e150 pages , 172 images\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-1-944860-35-6\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617309507885,"sku":"184923608106","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/287380.jpg?v=1700603782"},{"product_id":"patrick-d-pagnano-empire-roller-disco184923610000","title":"Patrick D. Pagnano - Empire Roller Disco","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eBrooklyn’s Empire Rollerdrome opened its doors in 1941 and soon became the borough’s premier destination for recreational and competitive roller skating. But it wasn’t until the late 1970s that the celebrated rink reached iconic status by replacing its organist with a live DJ, installing a state of the art sound and light system, and renaming itself after the nationwide dance craze it had helped to originate: the Empire Roller Disco was born. In 1980, the acclaimed street photographer Patrick D. Pagnano went on assignment to document the Empire and its legendary cast of partygoers. The resulting photographs, gathered in\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eEmpire Roller Disco\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor the first time, capture the vibrant spirits, extraordinary styles, and sheer joys of Brooklyn roller disco at its dizzying peak. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCalled “one of the most versatile and adaptive street photographers in the genre’s history,”\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003ePatrick D. Pagnano\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emoved to New York City from Chicago in 1974 and immersed himself in an art practice that would grow to include street work, portraiture, and documentary photography. His work is in the permanent collections of the Museum of Modern Art, the Brooklyn Museum, the Art Institute of Chicago, and numerous other institutions. He passed away in 2018.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiss Rosen\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a writer and editor based in Brooklyn. Since launching her journalistic career as an art and nightclub critic for the\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVillage Voice\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ein 1997, she has gone on to publish work in magazines such as\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eL’Uomo Vogue\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eBust\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eJuxtapoz\u003c\/em\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003ePaper\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eas well as on websites including\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAnOther\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAperture\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eDazed\u003c\/em\u003e,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eHuck\u003c\/em\u003e, and\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eVogue\u003c\/em\u003e. She served as editor and creative director for\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003epowerHouse Magazine\u003c\/em\u003e, and was Marketing Director for powerHouse Books from 2000–2009. Rosen has contributed to numerous books and publications on photography and the arts, and has lectured at Columbia University, the International Center of Photography, and the School of Visual Arts.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e7.75 inches x 10.25 inches\u003cbr data-mce-fragment=\"1\"\u003e132 pages, 118 images\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-1-944860-44-8\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617309638957,"sku":"184923610000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/319098.jpg?v=1700603854"},{"product_id":"faith-hubley-elizabeth-swados-skydance184923610710","title":"Faith Hubley \u0026 Elizabeth Swados - Skydance","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn their 1955 wedding vows, experimental animators Faith and John Hubley promised they would make one film a year. Until John’s passing in 1977, the duo worked together on dozens of animated films and projects, often collaborating with renowned jazz musicians such as Dizzy Gillespie and Herb Alpert for scoring and soundtracks. The pair won several Academy Awards for their short films, and for residents of Marinette, Wisconsin—John’s hometown—the mayor named May 20, 2023 \"John and Faith Hubley Day.”\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFaith made twenty-four animated films on her own, starting in 1977. Her short film\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSky Dance\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1980) was shortlisted in the 1980 Cannes Film Festival for the Short Film Palme d'Or, the highest prize given to a short film in the festival. Her daughters Emily and Georgia (who would later co-found musical ensemble Yo La Tengo) helped with the artwork and animation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eReprinted for the first time since its 1981 release, Anthology is honored to publish\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSkydance\u003c\/em\u003e, the book adaptation of Faith Hubley’s now-classic film. Fully realized in richly abstract illustrations, and with evocative, rhythmic prose by musician, writer, and composer Elizabeth Swados,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSkydance\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a playful tribute to life on other planets.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eFaith Hubley\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1924–2001) was a painter and filmmaker, renowned for her experimental animation and independent sensibility in children’s entertainment. After leaving a Hollywood career behind in the mid-1950s, she and her husband, John Hubley, devoted themselves to a groundbreaking practice of freely expressionistic filmmaking. In addition to more than fifty iconic films, Hubley created five books for children, several in collaboration with Elizabeth Swados.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElizabeth Swados\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(1951–2016) was a playwright, director, composer, and author. A pioneer of the innovative New York theater scene of the 1970s, her pieces were performed on Broadway and the world over, and she was the recipient of Tony and Drama Desk Award nominations, Guggenheim and Ford Fellowships, and numerous other honors. She was the author of fifteen books, nine of them for children.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e9 inches x 7 inches\u003cbr data-mce-fragment=\"1\"\u003e32 pages, 24 Images\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-1-944860-48-6\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617310064941,"sku":"184923610710","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/368790.png?v=1700601282"},{"product_id":"elias-b-ronnenfelt-sunken-heights184923612011","title":"Elias B. Rønnenfelt - Sunken Heights","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe debut book from acclaimed musician Elias B. 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Designed in collaboration and featuring original artwork from Elizabeth Peyton and presented in both the original Danish text and Rønnenfelt’s own English translation,\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSunken Heights\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ebalances the poet’s reflections on the aggressive and primal present with strikingly romantic and surprisingly vulnerable musings on variations of love, delusion, and maturation in a smoldering world.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElias B. Rønnenfelt\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis a Danish musician and poet. He is lead singer and lyricist for Iceage, in addition to his work as a member of Marching Church, Vår, and numerous other groups and collaborations.\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eSunken Heights\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis his first book.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eElizabeth Peyton\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eis an American artist whose work has been featured in the National Portrait Gallery, the Whitney Museum, The New Museum, and the Museum of Modern Art, among many others.       \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHardcover\u003cbr data-mce-fragment=\"1\"\u003e6 inches x 8 inches\u003cbr data-mce-fragment=\"1\"\u003e124 pages, 2 Images\u003cbr data-mce-fragment=\"1\"\u003eISBN: 978-1-944860-57-8\u003c\/p\u003e","brand":"Anthology Editions","offers":[{"title":"Default Title","offer_id":47617310163245,"sku":"184923612011","price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/397858.jpg?v=1700601181"},{"product_id":"sad-about-the-times-short-sleeve-t-shirt","title":"Sad About The Times Short Sleeve T-Shirt","description":"\u003cp\u003eKeep that frown upside down. Anthology Recordings returns to the world of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad About the Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith a new suite of limited, color vinyl editions of\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e…Still Sad\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(first-time vinyl pressing, 1000 copies) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad About the Times\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(1000 copies) alongside a limited-edition shirt designed by Anthology friend and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eworld builder Brian Blomerth.\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cstrong\u003eSad About the Times Short Sleeve T-Shirt:\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLimited-edition four-color, front + back print shirts designed by Brian Blomerth depicting another saga from the visual world of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad About The Times \/ …Still Sad\u003c\/em\u003e, wherein the artist's beloved critters have gone a little too far and spoiled the fun for everyone. Professionally silkscreened by Beezer Printing on Comfort Colors ivory color short-sleeve shirts with custom tags. Shirts available in a one-time run of 488.\u003cem\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eSad About the Times DBL LP:\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eThe songs of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad About the Times\u003c\/em\u003e, a collection of \"could have been hits\" compiled by Mikey Young (Total Control \/ Eddy Current Suppression Ring) and Keith Abrahamsson (Head of A\u0026amp;R at Anthology Recordings), arrived in the wake of the psychedelic '60s; after high-flying hippie idealism had run its course and singer songwriters with a tear in their eye and feather in their hat were hiring local studios and privately pressing their dreams on the back of a paycheck. Every track on\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSad About the Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtains a different shade of blue, collectively conveying universal emotions that are hard to describe but easy to feel. Pink glow color vinyl edition limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e…Still Sad DBL LP:\u003c\/strong\u003e\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eProvided a proper vinyl treatment by popular demand, and featuring fittingly campy artwork by Brian Blomerth,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e…Still Sad\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003econtinues, and encapsulates, a tradition of musical malaise that feels right even when it feels so wrong. Compiled again by Mikey Young and Keith Abrahamsson,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e...Still Sad\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003escours the corners of cracked vanity presses and the fault lines of forgotten 45s to assemble another sixteen songs that cut to the heart faster than a maxed-out credit card to a feeble pile of Florida snow. Seafoam swirl color vinyl edition limited to 1000 copies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Mexican Summer","offers":[{"title":"Small","offer_id":47841128743213,"sku":"184923706406","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Medium","offer_id":47841128775981,"sku":"184923706413","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Large","offer_id":47841128808749,"sku":"184923706420","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Extra Large","offer_id":47841128841517,"sku":"184923706437","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Extra Extra Large","offer_id":47841128874285,"sku":"184923706444","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/417019.jpg?v=1704904448"},{"product_id":"various-artists-maybe-im-dreaming-black-vinyl","title":"Various Artists - Maybe I'm Dreaming - Black Vinyl w\/ Limited Edition Print","description":"\u003cp\u003eProduct Details\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2xLP set on 140g black vinyl with widespine jacket and two printed inner sleeves.\u003c\/li\u003e\n\u003cli\u003eIncludes 12\" x 12\" full color print featuring original art by Dang Wayne Olsen. Limited to 350.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMaybe I’m Dreaming is the latest collection selected by Mikey Young (Total Control, Eddy Suppression Ring) and Keith Abrahamsson (Founder and Head of A\u0026amp;R at Anthology Recordings), the bent brains behind the beloved Follow the Sun and Sad About the Times compilations. The twenty tracks of Dreaming make a conscious, and unconscious, detour from its predecessors, sourced entirely from private press releases, spanning new decades and production modes within homespun folk, soft rock, and otherwise 70s and 80s FM radio adjacent music. The magic of Dreaming is the untold story of the artists behind these songs; those who missed the big time, but whose song craft and unrequited care hit the right notes, both high and low. There’s nothing else for you to do but listen and dream away. Featuring the third eye opening artwork of Dang Wayne Olsen.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Yxe7783HdNg?si=ZG2KAWrFWwiiga9X\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":50737389437229,"sku":"184923613834","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC138_Dreaming_Mockups-LP-D2C-01.jpg?v=1747679101"},{"product_id":"robert-lester-folsom-if-you-wanna-laugh-you-gotta-cry-sometimes-purple-reverie-vinyl","title":"Robert Lester Folsom - If You Wanna Laugh, You Gotta Cry Sometimes - Purple Reverie Vinyl","description":"\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProduct Details:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\u003cstrong\u003e140g Purple Reverie color vinyl LP with full color jacket\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIf You Wanna Laugh, You Gotta Cry Sometimes: Archives Vol. 3, 1972-1975 \u003c\/span\u003e\u003cspan\u003eis another magical discovery from Georgia-born singer-songwriter \u003c\/span\u003e\u003cspan\u003eRobert Lester Folsom’s\u003c\/span\u003e\u003cspan\u003e oeuvre of soft psychedelia and rural rock n’ roll, written and recorded over 50 years ago yet prophetically resonant today. Born of lost summers, new love (and the breaks that follow), and hippie bluegrass shakes, these spirited takes to 4-track tape open a prismatic window onto a young artist finding their footing, and are testament to why Folsom’s legacy burns bright to this day. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDrawing from the same archive of homespun demos and informal studio sessions rediscovered on the two previous volumes of Folsom’s early musical wizardry from Anthology Recordings, \u003c\/span\u003e\u003cspan\u003eOde to a Rainy Day \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eSunshine Only Sometimes\u003c\/span\u003e\u003cspan\u003e, the songs on \u003c\/span\u003e\u003cspan\u003eIf You Wanna Laugh\u003c\/span\u003e\u003cspan\u003e offer candid snapshots of the hazy yet hugely formative years that ushered in the release of \u003c\/span\u003e\u003cspan\u003eMusic and Dreams\u003c\/span\u003e\u003cspan\u003e, the revered, privately pressed studio album which serendipitously enjoys its Golden Jubilee this year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAs Folsom recalls, most of the songs that weave the tale of this third anthological chapter were written during the long and languid summer vacation days of his late teens, which were largely spent bumming around with friends in his sleepy hometown of Adel, Georgia. The young visionary, accompanied by an eager troupe of local conspirators, spent his free time putting pen to paper and filling tape on his beloved Sears 3440 reel-to-reel in the off-hours that stretched wide between half-hearted summer jobs and hitting the road with eyes turned and ears tuned to the rhythms of the world passing by.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe resulting sun-soaked takes were recorded at home, across an array of improvised off-spaces in Adel (including the local hog parlor), and at one of Folsom’s favorite local studios at the time in Atlanta. A few tunes were set down as far away as Auburn, Alabama, the college town where Folsom briefly relocated in 1975 along with his bandmates from the short-lived but beloved soft rock outfit \u003c\/span\u003e\u003cspan\u003eAbacus\u003c\/span\u003e\u003cspan\u003e. These unpolished, lived-in environments pepper the recordings with a local flavor and characteristic drawl, their singular sonics echoing Folsom’s off-the-cuff songwriting that, then as now, is set alight by an old-soul wit and charm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLike all great wordsmiths, Folsom has that rare ability of always saying just enough, whether he’s translating woozy daydreams about paint colors into offbeat tales of heartbreak (“Burnt Carmine”) or flooring hearts with raw verses of clear-eyed feeling. “I Don’t Know” and “What Are You Thinking Of?” are love songs that transcend time and place, and find the young Folsom at some of his songwriting best, leaning into unfettered rhyme structures and plainspoken emotional turns that touch on universal experiences. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eInterspersed throughout the collection is also a bundle of bluegrass-inspired instrumentals that were set off by a fateful encounter with legendary fingerpicker \u003c\/span\u003e\u003cspan\u003eDoc Watson\u003c\/span\u003e\u003cspan\u003e at a local music festival. “Mountain Air Rag,” “And God Made the Pine Trees Too,” and “Gene Autry” shadow the sudden rise in popularity of bluegrass music that seized the South during the early-to-mid 1970s (and was particularly potent among the hippie set) with Folsom riding the trend’s smoke trails with high-flying charisma.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eLike a series of old postcards that offer a glimpse into an almost forgotten world, the lo-fi gems on \u003c\/span\u003e\u003cspan\u003eIf You Wanna Laugh\u003c\/span\u003e\u003cspan\u003e welcome longtime listeners ever deeper into Folsom’s inner sanctum, while inviting new ears into the orbit of a songwriter whose work has always existed just outside the frame of its time. Equal parts naïve and knowing, lighthearted and serious, these recordings reaffirm the enduring spirit of an artist that’s kept touring, making music, and living out his dreams until this day. Eternally guided by a golden soul that’s still shining forever young.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eRobert Lester Folsom’s If You Wanna Laugh, You Gotta Cry Sometimes: Archives Vol. 3, 1972-1975\u003c\/span\u003e\u003cspan\u003e is set to arrive on Anthology Recordings on March 20, 2026. Lester and his whip-smart crew of young collaborators will tour around the release, with extensive North American dates throughout March and May.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":51743927337261,"sku":"840526502110","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/RLF-IfYouWannaLaugh_LP-1.png?v=1768232094"},{"product_id":"robert-lester-folsom-ode-to-a-rainy-day-archives-1972-1975-blue-velvet-vinyl","title":"Robert Lester Folsom - Ode To A Rainy Day: Archives 1972-1975 - Blue Velvet Vinyl","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAnthology Recordings is proud to make 'Ode To A Rainy Day' available once on limited-edition \"South Georgia Sun\" orange vinyl. 'Ode' is the first collection of unearthed, unheard material from Georgia's favorite folk hero Robert Lester Folsom. Fans of his 1976 private press grail 'Music and Dreams' will revel in the carefully curated assemblage of mellow gold, including the prescient, potent cuts \"See You Later, I'm Gone\" and \"Heaven on the Beach With You.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRobert Lester Folsom’s story isn’t all that uncommon in the parlance of his era. He spent the ‘60s growing up in Adel, Georgia, a small town nearer to Valdosta and Florida’s northern border than anything resembling rock \u0026amp;amp; roll, obsessing over his guitar as his craft and skills grew. Folsom would write and record a wealth of material in the early ‘70s, which make up the backbone 'Ode To A Rainy Day' – the first time these songs have been heard in decades. 'Ode' showcases both impeccable songwriting across light folk, downer pop, front porch rock and woodshed country tropes, combined with ingenious arrangements and technical skills across primitive recording equipment. The beauty of 'Ode' lies in its tracking of the seasons in its cycle, how each song feels like a different time of year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFolsom’s legitimate debut would have to wait until\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003e1976, when he self-released the album 'Music And Dreams,' which brings the ideas presented on 'Ode' into clear, polished relief, lushly appointed with synthesizers, clavinet, an army of percussion, and multiple tracks of orchestration and arrangements that’ll make you feel like you’ve heard any of these wonderful songs before. Folsom provides a homespun challenge to then-established artists as farflung as Todd Rundgren, Neil Young, and KC \u0026amp;amp; The Sunshine Band, albeit with touches that credit his upbringing from the decade prior. Had the record any manner of major label backing, it could’ve been a hit; as it stands 'Music And Dreams' has quietly amassed a cult following, with original copies trading for handsome sums.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Anthology Recordings","offers":[{"title":"Default Title","offer_id":51771784528173,"sku":"840526502721","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0846\/5802\/8845\/files\/ARC008_RLF-OdetoaRainyDay_Mockup_LP-BlueVelvet.png?v=1769026447"}],"url":"https:\/\/mexicansummer.myshopify.com\/collections\/anthology.oembed?page=2","provider":"Mexican Summer","version":"1.0","type":"link"}